Pachamama's Mountain


Pachamama

Olmec statue that is very similar to that of MCoGs Pachamama.

Episode 17-19 - Guarding the gates of Chela was a giant statue of the goddess Pachamama. Although I haven't been able to find any pictures of it, I wouldn't be surprised if the MCoG goddess was modeled after a real art work. The picture to the right is of small Pachamama statues sold at a stand in Peru. (I have now found an image that looks a lot like the statue but it comes from the Olmec civ and not Peru. There may still be other images that could possibly be the basis of the Pachamama statue - SH Feb 12, 2003)

Incas of ancient Peru believed that Pachamama personified the Earth. Incas ruled Peru from about 1450 until 1532 when Spaniards conquered their territories. Pachamama and her husband Inti, the Sun-god, were viewed as generous deities. Incas used to offer llamas and other animals as sacrifices to the earth goddess. According to an ancient legend, the first Incas had sacrificed a llama before entering their capital Cuzco. Pachamama continues to be worshipped today in Peru, where she has also been identified with the Virgin Mary by Indian Christians.

http://www.virtualperu.net/peru_spirit.html

Courtyard Statue - Tula Statue
Episode 17 - In the courtyard of the city are statues like those found at Tula.

The Golden Quipus - Quipus

Quipucamayu
Diagram of a quipu.

Episodes 6, 8, 18, 33 - The first guides our heroes had to finding the Cities of Gold were the Golden Quipus.

quipus (k´pz) (KEY </65/12.html>) , groups of strings, knotted for tally, which were used by the Inca for keeping records and sending messages. The quipu was based on the decimal system. Small cords with knots in them were attached to a main cord or a top band; the color of the cord, its place, its size, and the knots in it were all of significance to the record or the message. The quipus had to be made up and deciphered by specially trained officials. The method of deciphering is not known today, although Andean shepherds still use a sort of quipu.

The Columbia Encyclopedia, Sixth Edition. Copyright © 2001 Columbia University Press.


The example above shows how the Inca calculated numbers on the Quipu . The knots were tied in the cords to represent units of ten and multiples of ten according to where they were placed. The closer the knot was placed to the top the higher the number and vice versa. At the very top of the cord the highest number represented was 10,000, at the bottom the ones. The cord had to be long enough to provide for nine knots between one set of 10's and the next.
The color of the cords was also significant in that it represented the item which was being counted. The color depended upon the nature of the object; yellow for gold, red for the army, and white for peace. As the colors were limited, some colors had different meanings depending on the general purpose of the Quipu in question. Objects that people were unable to distinguish by color were ranked according to quality. For example, in a Quipu of weaponry inventory a lance would be first, as it was considered the most honorable weapon by the Inca, then the arrows, bows, and axes, etc.
The Quipu were the method by which the Inca consolidated their hold over the kingdom of the four directions. This message device could be carried by runners to all corners of their world. The statistics it relayed enabled the ruling class to know the exact economic conditions of all regions of their empire and act accordingly to prevent such catastrophes as drought and famine.
This marvelous method of communication which they used was nothing more than a series of knotted multicolored strings. Although this instrument was not a mode of writing or a system of calculating numbers, it served as the mnemonic device by which the Incas sent messages, recorded their laws, and decided the fate of conquered territories.
An example of how complicated a story the Quipu could tell is given in Louis Baudin's book A Socialist Empire: The Incas of Peru. If an official wanted to describe the reign of the first Inca, Manco Capac, and say that before him there was no king, chief, or religion and in the fourth year of his reign Manco Capac subdued ten provinces. Also, the conquering of these provinces cost him a certain number of warriors and in one province he seized a thousand units of gold and three thousand units of silver. After conquering all these provinces, he had a feast of thanksgiving for his victory and to celebrate the honor of the Sun-god.
The Quipucamayu, the keeper of the Quipus, would use a black cord, the color that indicated time, as the central string to hang the others from. Then he would suspend from it a lot of uncolored strings with many little knots tied in them. When he reached the center of the cord, he would make one large knot and run crimson thread through it, this is the color of the Inca. The reader of the Quipu, seeing this system would read it as saying before the first emperor (crimson thread) for a very long time (many threads and knots), the people had no ruler(no scarlet threads), no chiefs (no deep purple), no religion (no blue threads), and no administrative departments (no variegated threads) from all this he would conclude that there was nothing at all. In the scarlet thread would be made four small knots to say that the events being recounted took place in the fourth year of that ruler; and to the middle knot he would attach a gray thread which he tied with ten small knots which indicated subdued provinces. Each of these knots would have fastened to it a green thread on which he would indicate with knots the number of enemy killed and would add little strings to name their native province. In this same way he would add a red string, which is the color of the imperial army, to describe the number of men killed and the provinces they came from. To describe the nature and amount of the treasure gained a string of yellow for gold and white for silver would be suspended from the thread of the province it was taken from. On this thread knots would be tied in the yellow thread to indicate one thousand and on the white thread knots would be tied with knots indicating three thousand. Last, he would add a twist of thread with the colors of blue, white and yellow to indicate the god who resided in the sky (blue) and made silver (white) and gold (yellow) and to show that a celebration had been held to honor him (Baudin 126-7).

http://www.spanish.sbc.edu/MMLatAm/Quipus.html

 

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